If you’re feeling a little bored
with all the Superhero movies, sequels that should have never been made, and
overall unoriginality coming out of Hollywood these days, you can find solace
and experience something completely different with “Love” the new film by
Argentine filmmaker Gaspar Noe.
This
boundary-pushing director has divided critics as well as movie fans with his
graphic depictions of violence and sex throughout his filmmaking career. His
first film “I Stand Alone” deals with incest as its main subject matter, his
next film “Irreversible” is a complex mystery thriller that contains an almost
10 minute long rape scene, Noe followed this up in 2009 with “Enter the Void” a
story about a brother and sister living in Tokyo who are involved in a
psychedelic mix of drugs, sex, and violence. His newest film “Love” is a 3D extravaganza
filled with an almost pornographic level of sexually explicit content, which
includes full frontal male nudity, threesomes, and realistic portrayal of
sexual intercourse.
Filmed on
location in Paris using non professional actors, “Love” tells the story of
Murphy, an American studying abroad in Paris who meets and falls in love with
Elektra, a French girl who fulfills every one of Murphy’s sick and twisted
fantasies. This part of their life is shown through flashbacks while present
day Murphy is at home with his current wife and child reflecting on his time
with Elektra after her mother calls him, worried that she hasn’t spoken to her
in over 3 months. Throughout its 2 hour
and 15 minute run time we see the ups and downs of Murphy and Elektra’s modern
day relationship set against the beautiful, as well as seedy underground
streets of Paris.
The 3D
cameras that Noe used to capture the action are meant to bring you into the
bedroom so to speak, right there with Murphy and his many different partners
throughout the course of the film. The technology feels fresh in this aspect,
instead of using the 3D for massive stunts or computer generated effects, Noe
embraces the technology and provides a much more personal and intimate use of
it. The story does start to meander in
the second half of the film and the constant explicit content may leave the
audience feeling exhausted, and but the way Noe blends the right music with the
perfect imagery and the curiosity of what happens to Murphy and Elektra are
enough to keep the audience involved all the way to the end.
Some may
say that ‘Love’ 3D is just pornography dressed up as an art film, but Noe
provides us with realistic sexual experiences without going too far. When you
watch this movie you know it’s not porn but you also know that it’s unlike
anything you’ve seen before. “Love’s” blend of artistic expression and its
guerilla style cinematography make it the perfect addition to Gaspar Noe’s
already eclectic filmography. You may
leave this film feeling disgusted, or you may walk out of the film feeling
invigorated, but at least you will feel something.
After all this is the goal of a director like Gaspar Noe, to get people
thinking and talking about everyday subject matter that most of the time gets
pushed to the side and ignored. Going against the norm and further evolving the
art of film making are all staples of Noe’s films and I guarantee whatever he
does next will continue to surprise, confuse, and astound us.

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